|
|
Study with a TeacherThe teacher-student relationship is pivotal both to the authenticity of the Zen tradition and to the depth of each student’s understanding of the Dharma. Study with a teacher is regarded as a serious undertaking, the purpose of which is to free ourselves from suffering and confusion. The Zen teacher, in face-to-face interviews (dokusan), addresses the student’s questions and their understanding of practice. The student’s progress occurs with the teacher’s direction and support, while always depending on personal aspiration to engage the spiritual path.
In the initial stages, the teacher helps the student to develop a meditation practice, work with emotions and habits, and integrate the moral precepts into daily life. As the student’s practice deepens, so too does the connection to the teacher; and the focus of the work intensifies into the matter of seeing into the nature of the mind and living a life of compassionate action. In New Zealand, Zen students are able to study with an MRO teacher during weekend and week-long retreats twice a year, and also via skype / email as needed. In addition, group discussions of the Dharma (mondos), led by Shugen Sensei or one of the MRO training staff, are held monthly via skype (online video). |
|
Liturgy
|
Right ActionRight action is the study and practice of the moral and ethical precepts of Buddhism. The precepts define how a Buddha lives in the world. They are based in the experience of the absolute nature of reality (no separation), and yet they function in the world of relative truths — the world of self and other. For a student of the MRO, studying the precepts is an integral part of training, which develops into a formal practice in preparation for jukai (a ceremony of receiving the 16 precepts of a bodhisattva). See Daido Roshi’s book on the moral and ethical teachings of Zen Buddhism, The Heart of Being.
|
Art PracticeMRO students take up art practice in order to study and experience an aspect of the Dharma. The roots of this approach lie in the history of Zen, where masters used the power of creative expression to convey truths inaccessible to the intellectual mind. Art practice is, like zazen, a matter of wholehearted engagement that relies on letting go of knowing. It is based on an intimate connection encompassing the entire creative process: artist and tools, the relationships between artist and subject, artist and object, and object and audience. When this intimate connection functions, the painting, poem or performance is infused with vitality and authenticity; it contains the power to heal, serve and reveal truth. See Daido Roshi’s book The Zen of Creativity.
|
Body PracticeOur physical body is our vehicle of self-realisation, an experience that encompasses our whole being. The search for self-knowledge is often reduced to a purely mental pursuit. Body practice helps us to unify body, breath and mind through activities ranging from refined disciplines like Tai Chi to familiar activities such as washing our face or eating breakfast.
|
Work PracticeZen practice must move off the cushion and translate into the sacred activity of living and working in the world. The commitment to practice everyday circumstances requires intention, creativity, honesty, patience and tenacity. An aspiration to serve is an important component. Whatever our work, just as in zazen, we keep returning to the present moment, developing a stillness of mind and an appreciation for the particularities of the effort required. Through such a practice, we can experience the sacredness of ordinary acts, and may appreciate that the same quality is available to us during all forms of work.
|